Return of the Prodigal Son A pervading sense of quietness, peace, and compassion gormandize this scene from the biblical parcapable. The prodigal son has just returned from squander his inheritance, wearing tattered clothes. His founder stands over him lovingly, tenderly placing his custody on his sons back, while the ripened comrade looks on, arms folded in silent admonition. This was one of Rembrandts terminal pigmentings, completed just a year forward his death. His throw two sons, both in their twenties, had recently died of the plague. wholeness Christian writer, Henri Nouven, happened to see a poster of this pigmenting. He was so becharm he travelled to St. Petersburg, Russia, to see it in person. He was able to spend hours alone before this life-sized work. It late touched(p) him so much he wrote an entire book some it. Id like to quote Sister Wendy Becketts reflection on this painting: Rembrandt shows them lost in a silent intimacy, t he sons face half hidden, his poor, faint out(p) shoes falling from his calloused feet, his clothes ragged, his exhaustion palpable.
The buzz offs cloak swells out in almost womblike protection, compass them in that one-to-oneness that is the essence of all relationships and cannot be judged by anyone else. The time-honored son looms judgmentally at the side, resentful, as stiff as his staff, a man of legal narrowness instead of love. He receives no embrace because he does not seek it, standing distant from the family. Questions: What emotions are the three main characters (the father, the prodigal son, and the older brother) tone at this moment! ? Do you think the death of his sons influenced Rembrandt to paint this scene?If you want to get a full essay, cabaret it on our website:
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